The exhibition, titled Accomplishment, has been open at Tsinghua University Art Muse

上海419um after two stops in Nanjing and Shanghai. The show, which runs through Oct 13, fea

tures old photos, drawings and designs of 18 architects while they studied at Penn and practiced at home.上海419

These men studied hard by winning medals at architecture competi

上海419品茶微信tions at Penn. And after returning home, they participated in modernizing the country’s lo

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onopoly of foreign architects. And they also helped establish China’s education system for architecture.

上海419品茶微信There are so many works that, politically and culturally, hit you right between the eyes at Get Up, Stand

Up Now, an exhibition celebrating how black art pioneers have shaped the UK over the last 50 years.上海419

They connect in so many different ways and means that it’s hard to prioritise any of them.

上海419For sheer immediacy and unforgettable impact, however, Richard Rawlins’ black-power fist rising from a gilt-edged Vic

torian cup of tea in The True Crown (2018) dishes out some beating. It’s a powerful statement that explicitly invo上海419品茶微信

kes conflict between the airs, graces, niceties and sweetness of traditional English afternoon tea versus the plight of the b

lack slaves working on the sugar plantations. It’s stark, brutal, incontrovertible black-and-white truth.

上海419A 1970s fashion shoot by Armet Francis in Brixton Market, in which a mod

el sits glamorously bedecked in a flowing lilac suit and headpiece with her heeled red-sho上海419

ed foot atop a white line in the road, is forceful but softer – like an exclamation mark to the beauty of the black aesthetic.

上海419品茶微信These contrasts abound at London’s Somerset House West Wing galleries. Beginning with the Windrush generation and ext

ending to today’s brilliant young black talent from around the world, a group of 110 interdisciplinary artists are showcasing th上海419品茶微信

eir work together for the first time. They explore black experience and influence, from the post-war era to the present da

y, and how its makers have merged the personal and political to highlight the issues of their time.

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